1659-1743 French Hyacinthe Rigaud Gallery He was born Jacint Rigau i Ros [1] -- though in many encyclopaedias is "re-christened" with the name of H??acint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau -- in Perpignan, which became French (Treaty of the Pyrenees) a short time after his birth (November 7, 1659). In 1682, he was awarded the Prix de Rome. He was the most important portrait painter in the reign of King Louis XIV. His instinct for impressive poses and grand presentations precisely suited the tastes of the royal personages, ambassadors, clerics, courtiers, and financiers who sat for him. Because Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions. Rigaud was a master of the Baroque style of art. Rigaud's best-known work is his 1701 painting of Louis XIV which today hangs in the Louvre in Paris, as well as the second copy also requested by Louis XIV which is now at Versailles. In 1709 he was made a noble by his hometown of Perpignan. In 1727 he was made a knight of the Order of Saint Michael. Hyacinthe Rigaud died in Paris, France on December 27, 1743.  Related Paintings of Hyacinthe Rigaud :. | Archbishop of Cambrai | Portrait of Elisabeth Charlotte of the Palatinate Duchess of Orleans | Portrait of Charles de Saint-Albin, Archbishop of Cambrai | Portrait of Cardin Lebret | Portrait of Guillaume de Lamoignon de Blancmesnil French magistrate |
Related Artists:
Victor Forsell
painted Motiv fran Stockholms omgivningar in 1846-1931
Louise Moillon
(1610-1696) was a French painter in the Baroque era. She became known as one of the best female still life painters during her time, and worked for King Charles I of England, as well as the French nobility. Moillon came from a strict Calvinist family. Her father, brother Isaac, and stepfather were both paint dealers and artists themselves. According to the RKD, Louise (also known as Louisa) learned to paint from her father Nicolas Moillon and Francois Garnier. She gained her particular style of still life painting from the Academie de Saint-Germain-des-Pres. She usually signed her paintings with Louyse Moillon. Moillon lived and worked in France her whole life.
Stefano della Bella
Italian Baroque Era Printmaker, 1610-1664,was an Italian printmaker known for etchings of many subjects, including military ones. He was born at Florence, and apprenticed initially to a goldsmith, but became an engraver working under Orazio Vanni and then Cesare Dandini. He studied etching under Remigio Cantagallina, who had also been the instructor of Jacques Callot, who had lived in Florence 1612-1621, and whose prints imparted a strong influence to printmakers. The patronage of Don Lorenzo de Medici enabled della Bella to study for three years in Rome. In Rome, he created a then admired print of the cavalcade celebrating the entry of the Polish ambassador into Rome in 1633. He also created a number of prints of views of Rome. In 1642 he went to Paris, introduced by the Tuscan ambassador, Alessandro del Nero, and where he resided for seven years. Cardinal Richelieu engaged him to go to Arras and make drawings of the siege and taking of that town by the royal army. After residing a considerable time at Paris he returned to Florence, where he obtained a pension from the grand duke, whose son, Cosimo de Medici, he instructed in drawing. His productions were very numerous, amounting to over 1000 separate pieces. He is known to have illustrated some discoveries for Galileo. See entry for Hansken for his etching of the famous elephant after death. Wikimedia Commons has media related to: Stefano della Bella